Wednesday, January 21, 2009

The 24 Effect

CBC News had a segment on the 24 effect, which posited that Hollywood helped pave the way for the American public's acceptance of the Obama presidency.  This segment, by the way, was shamelessly (and without mention) ripped off from an article in the NY Times Sunday edition.

The theory goes that film and television roles such as Dennis Haysbert's turn as a charismatic and effective African-American president on the Fox network show, 24, made it just a little bit possible to imagine a black president.  It is a persuasive argument, though made ironic by the rumours that 24 was also used as a primer for torture techniques by Dick Cheney and his band of evil cohorts.  One wonders what Fox News makes of the supposition that its own network helped elect a Democrat.

Both the CBC segment and the NY Times article travel back to the 60's, highlighting the ground-breaking roles of Sidney Poitier in "The Heat of the Night" and "Guess Who's Coming to Dinner".  Both also brought up the Bill Cosby vehicle, "The Huxtables", which portrayed a black man as an average (albeit upper-middle-class doctor with a gorgeous wife and precocious family) father-knows-best lives-in-the-suburbs American.  

The NY Times also had a picture of Richard Pryor which is less persuasive.  His brilliant, socially-skewering humour was somewhat overshadowed by the tragedies of his life.  It might have also mentioned Chris Rock's role as an American president, which was probably as influential as Bill Pullman's interpretation as the lantern-jawed, fighter-pilot leader-of-the-free-world.  Right.

Speaking of Independence Day, Will Smith merited a mention for creating a niche as the American hero icon who has African roots.   Yet, there was no mention of Denzel Washington who is the most accomplished actor of his generation.  Perhaps he should have portrayed Muhammad Ali instead of Malcolm X.  

And then there's James Earl Jones, who played the voice of Dick Cheney (sorry, Darth Vader) in one of the most popular film series of all time.  Perhaps that's not an illuminating example, either. 

Sunday, January 11, 2009

Naked protests?

Headline news:  Montreal city hall floats a trial balloon concerning a proposed bylaw to ban wearing of masks during protests.  But they'll need to write the law carefully, to avoid it running up against the Charter of Rights.

So it may remain legal to attend a protest wearing a mask.  But don't do it naked.  You'll get arrested for sure. 

Tuesday, January 6, 2009

"Yes, We Can!" - but why?

"Yes, we can" - the spot on CBC radio uses Obama's voice and signature slogan to announce a contest to pick 49 Songs from North of the 49th Parallel.

What I can't figure out is why?  Ostensibly, it's supposed to help define Canada for the new president - but somehow I don't think it'll make it to his iPod, even to fill an empty moment or two during one of his 2-hour workouts. 

As a Canadian, I'm officially embarrassed and apologize in advance for this desperate misuse of Canadian content rules.  And for any April Wine song that makes the list.  Or Patio Lanterns.  Or, god forbid, Takin' Care of Business.

Sunday, January 4, 2009

Elephants

A herd of elephants butcher a wide swath of the jungle when feeding; they're trample, they eat abundantly, they move on.

It bothered me when I read this.  I'd never thought of elephants as rude animals.  They seemed quite calm, almost graceful, despite their bulk.  They have prodigious memories.  They mourn their dead.  Yet they're not as innocuous as I imagined.

Why would nature allow such destructive creatures to evolve?  Nature of course doesn't care.  As long as the environment is bountiful enough to support their existence, the elephant herd survives.  

But their numbers are limited by their marauding appetites and the size of their jungle.  The elephant will be rendered extinct sooner or later.  Its habitat is being gradually eradicated by an equally rapacious marauder.  

However, the population of this usurper, the human being, shows no sign of abate - for the moment.